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āNational Kenkomi Architectural Design Institute
āConcept of basic elements of architecture
ā There are various types of architectural part-time jobs. Looking for your favorite job
Let's start a part-time job! There are three industries in the construction industry: general contractors, organizational design, and atelier.
The content of work, salary, atmosphere, etc. are completely different for each.
Find a part-time job that suits you and work part-time.
[Required 1]. Entry period June 1st- August 1st 23:59
Zenkoku Kenkomi .JAPAN
WASA-WLS
ā2022
World League Series
The World Architecture Student Award is one of the world's largest architecture student competitions held mainly in Japan, the United Kingdom and the United States. This contest aims at the comprehensive ability of architectural students to carry out design subject works, submitted competitions, graduation design works, etc. that were undertaken by educational institutions related to architecture (universities, junior colleges, vocational schools, graduate schools). With the complex of statistics, typology and an introduction to architectural design, architectural design works can be quantified and judged fairly by comprehensive evaluation. In addition, we will issue a transcript that analyzes the abilities of the architectural designer in detail for all the submitted design works, quantitatively shows where and how much is done, and gives advice. In addition, a certificate will be awarded to works that are particularly excellent in various evaluation axes. This is not an arbitrary and very abstract examination, but shows the ability of the designer and hopes for the future development and success of architectural students. Everyone is aiming for a meaningful competition regardless of the type of work, grade, or country. (Executive Committee Chair Yusuke Shimizu)
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World League Series ćWLSć
(Preliminary judging)
Released on September 1stć100 works selected
ļ¼Japan Standard Time (JST) ļ¼
Awards will be given to 100 people by league. You will be entitled to participate in the second screening.From the ability values calculated by AI screening, the prizes will be judged by allocating to the most suitable league that the designer is good at out of 10 types of leagues. A total of 100 winners will be selected by calculating the rankings of each league, the world, the whole country, and the grade level. Winners can advance to the World Championship match.
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World Championship Series [WCSS]
(Secondary judging)
October 1, 2022 ļ½ November 1, 2022ćWorld vote
ļ¼Japan Standard Time (JST) ļ¼
14 champions will be decided
In the second screening, we will distribute the work on YouTube and archive it while transmitting the work to the world by translating it in three languages, and collect votes and opinions from all over the world. In addition to the 1st AI screening, in the 2nd screening, architects, professors and architectural students from all over the world will vote in the world and ask and answer questions to determine 14 champions.
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Share your votes and comments
āshare
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WCSS Second Judging Global Voting & Comments
PeriodćOctober 1-November 1
Architectural Design Metabolismā
ā Architectural design metabolism
ćVoting regulationć
ā
…Voting and comments can be made by anyone, including exhibitors.
ā
”…You can vote from the Google form of [Vote].
ā
¢…Vote can select 5 works from 100 works.
ā
£…Comments, questions, and advice can be made from the [Comment] Google form.
ā
¤…Please make comments in consideration of the designer.
ā
„… Comments can be made from simple impressions to specific points.
ā
¦…In the event of double voting or fraudulent voting, all scores will be discarded.
ćScoring rulesć
ć»Architect, university teacherć»ć»ć»ć»ć»ć»ć»ć»ć»ć»ć»ć»ć»ć»ć»ć»ć»Perfect score x 15 x (5 votes)
ć»General contractor, organizational design department ć»ć»ć»ć»ć»Perfect score x 5 x (5 votes)
ć»WCSS (World Championship) contestantsć»ć»ć»ć»ć»ć»ć»ć»ć»ć»ć» (My score) x 5 x (5 votes)
ć»WLS (World League) Exhibitorsć»ć»ć»ć»ć»ć»ć»ć»ć»ć»ć»ć»ć»ć»ć»ć»(My score) x 3 x (5 votes)
ć»Architecture student (graduate school) ć»ć»ć»ć»ć»ć»ć»ć»ć»ć»ć»Perfect score x 2.0 x (5 votes)
ć»Architecture student (university/junior college) ć»ć»ć»ć»ć»ć»ć»Perfect score x 1.5 x (5 votes)
ć»Architecture student (vocational school) ć»ć»ć»ć»ć»ć»ć»ć»ć»ć»ć»Perfect score x 1.0 x (5 votes)
ć»General other than architectureć»ć»ć»ć»ć»ć»ć»ć»ć»ć»ć»ć»ć»ć»ć»Perfect score x 0.5 x (5 votes)
āAll-League
WASA
It is a league that competes for the overall perfection of architectural design proposals.
WASA World Architecture Student Award WLS World League Match Winners
ID:001
Title Shenting Marketā
ā
ā ćSiteļ¼46 ÄĘ°į»ng Hai Bà TrĘ°ng, Tân An, Ninh Kiį»u, Cįŗ§n ThĘ”, ćććć
ā ćProgramļ¼Market, based on the existing local environment, the architectural form of the market solves the real problems of the area
āā ćSoftwareļ¼Rhino7,Photoshop ,Illustrator,Vary CAD
ā
ā ćLeagueļ¼ćAllćŖć¼ć°
ā ćOverall scoreļ¼ć2289
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćGenius architect Medal
ā
ā ćUniversityļ¼ćę²³å大å¦
ā ćSchool yearćļ¼ć3rd year undergraduate
ā ćArchitectļ¼ćēę»Øå®
ā ćCo-Architectļ¼ćę²³åå¤§å¦ äø幓ēŗ§ å é¼å
ā ćCo-Architectļ¼ćę²³åå¤§å¦ äŗ幓ēŗ§ ęé åƧ
As we all know, in the Southeast Asia region of Asia, due to the unique topographic and climatic characteristics, alluvial plains with developed water systems have been formed. In this plan, our team chose Cai Rang water in Can Tho City, which is a representative estuary delta in southern Vietnam. The river area where the market is located. The developed river system has created a rich water culture in the region, and people's clothing, food, housing and transportation are closely related to the river. However, with the development of the times, highway networks and land transportation have prevailed, and these living patterns formed by relying on rivers are also facing new challenges.
Therefore, we explore the existing system model in the area, hoping to seek new opportunities through architecture to connect the land and rivers, past and future, tradition and culture, religion and belief in the area, and provide people in the area with New development hopes and opportunities.
In addition, "Shen Ting" is the performance place of Vietnam's national quintessence "water puppet show". In this country, the market is carried by the river, and the river connects the city and the countryside. We hope to create a new type of water space to integrate into the local "Shen Ting culture" ”, eventually becoming a unique part of this area, changing the local way of life, and even becoming a new cultural symbol of the area.
ID:002
Title :ChronologiCoaster 120ā
ā
ā ćSiteļ¼H7VW+JVR, Jinghan St, Jiang'An, Wuhan, Hubei, äøå½
ā ćProgramļ¼Renovation and renovation of old buildings + cultural experience building
āā ćSoftwareļ¼Rhino, AutoCAD, Photoshop, nolimits2, Lumion
ā
ā ćLeagueļ¼ćAllćŖć¼ć°
ā ćOverall scoreļ¼ć2225
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćMaster architect Medal
ā
ā ćUniversityļ¼ćę¦ę±å¤§å¦
ā ćSchool yearćļ¼ć3rd year undergraduate
ā ćArchitectļ¼ćå“ę„é£
"Hankou Dazhimen Railway Station was built in 1900 and is the most magnificent and magnificent railway station on the original Beijing-Hankou Railway. However, with the completion of Xinhankou Station in 1991, the station building was abandoned, and it was silent among the market and high-rise buildings. middle.
At a node like Dazhimen where time and space are intertwined, how to create a historical and cultural experience center, so that the historical events deposited on the site can be translated in architectural space? How to explore new dimensions outside the space, so that people participating in it can get rid of the didactic display, so as to better empathize with history and obtain unforgettable individual memories?
People often use lines to describe time, and linear space is often used to carry the logic and coherence of time. Therefore, the author hopes to translate the history of time through the linear space element of the roller coaster, and make it more dialogue and immersion. The linear roller coaster uses mimetic techniques to echo the twists and turns of the historical road in spirit, and functionally echoes the past that Dazhimen Station is closely related to rail transit.
In this roller coaster translation journey, designers spatially deconstruct historical events through external sensory experiences such as height, speed, visual elements, light and shade; The control of the senses deconstructs the emotions and cooperates with the space to give the experiencers the emotional changes and psychological states corresponding to the times, so as to achieve emotional resonance with the nationalities of various times. Re-enacting history and historical experience from the dual dimensions of inner emotions and outer space experience.
"
ID:003
Title :Storytellers of the town - A base for intergenerational coexistence that spins the story of life -ā
ā
ā ćSiteļ¼ē³å·ēéę²¢åøéē³č„æ4-5-30
ā ćProgramļ¼Multi-generation symbiosis base that combines various programs such as kitchens, classrooms, fields, etc.
āā ćSoftwareļ¼ARCHICADćSketchUpćIllustratorćPhotoshopćProcreate
ā
ā ćLeagueļ¼ćAllćŖć¼ć°
ā ćOverall scoreļ¼ć2203
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćBest Selection Award
ā
ā ćUniversityļ¼ćéę²¢å·„ę„大å¦
ā ćSchool yearćļ¼ć4th year undergraduate
ā ćArchitectļ¼ćč„æå°¾ćä¾ę©ē“
ā ćCo-Architectļ¼ćéę²¢å·„ę„å¤§å¦ 4th year é¹æē° čć
å
ā ćCo-Architectļ¼ćéę²¢å·„ę„å¤§å¦ 4th year éē ęŗä¹
ā ćCo-Architectļ¼ćéę²¢å·„ę„å¤§å¦ 4th year ę¾ę¬ ę大
"Kanaishi, a port town located in the northwestern part of Kanazawa City, Ishikawa Prefecture, is built and devised on a daily basis in order to live in this land, and the accumulation of these forms the landscape of the town. It can be said that this kind of scene of activity is a "town story" that has been woven since ancient times. And aren't they assets of this town that should be passed down to future generations? I proposed a multigenerational coexistence base open to the city, where the scenery of life is formed in the place where public facilities that are currently closed to the city are built. Kanaishi's relationship of mutual aid, which was once established by the timber industry and fishery, will be replaced by children who are the bearers of the town and the elderly who know the town, and a new mutual aid that will be involved not only within the facility but also with local commerce and public facilities. I thought about the shape of the relationship.
Regarding the composition of the base, there is a "city axis" that determines the placement of buildings from the axis of the surrounding buildings, a "half-state" that creates room for people to intervene by lowering the degree of perfection of the building. I used three methods called "components" extracted from sketches and analyzes of daily activities.
Incorporating the golden stone manners seen in the town, the planning based on the present and the future, and the base that includes the form that people can intervene, the activities and construction that have been unfolding in the town appear. And by interacting with many people, they reaffirm the story of the town, which is the scenery of life, and pass it on to future generations. This is the storyteller of the town, a base for intergenerational coexistence that spins the stories of life. "
ID:004
Title :noahsarcinreverseā
ā
ā ćSiteļ¼Govan Dry Docks, Glasgow
ā ćProgramļ¼Disaster Planning Department, Knowledge Division, Manufacturing Chain
āā ćSoftwareļ¼Sketch Up, Rhino, Enscape, Photoshop, In-design,
ā
ā ćLeagueļ¼ćAllćŖć¼ć°
ā ćOverall scoreļ¼ć2170
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćBest Selection Award
ā
ā ćUniversityļ¼ Glasgow School of Artć
ā ćSchool yearćļ¼ćMaster 2nd year
ā ćArchitectļ¼ Gracjan Labowicz
The inaction of governments pre & post COP26 and blatant ignorance of the issue of climate change inćpublic debate and its near future trivial consequences begs for urgent action and preparation for this new design
environment in our cities.
In the light of the climate crisis and global warming trajectory capped at a current level of co2 emissions reaching
2.7 degrees Celsius by 2100. As a consequence of the water level increase and increased annual rainfall inćGlasgow, the shoreline will only expand. Projected ļ¬ooding renders the new elevation 3 meters higher than the
current by 2030 and 5 meters by 2100. The scale of damage and potential paralysis of existing city networksćand current economies and industries of Glasgow will be substantial.
Portrayed through a fictional scenario, it is a story of Cyan Society taking over Govan Dry Docks. This newćsecret society builds a high ļ¬ooding prevention wall around the site’s perimeter- foretelling the story of the greatćļ¬ood is on its way to the rest of the city. It prepares the city for the ļ¬ood. It focuses on lobbying for nature-based
solutions to the ļ¬ooding issue instead of creating mega-projects such as dams or storm barriers. Immediateaction is taken by making room for the natural environment in the urban context via greening the city with plants
as a form of protest.
ID:005
Title :Shinfugaku Thirty-six Views -A museum interspersed with the past and the present-
ā ćSiteļ¼åÆ嶽äøåå ęÆć®ęććć36ć®å “ę
ā ćProgramļ¼Dotted Museum
āā ćSoftwareļ¼Rhinoceros Twinmotion Photoshop Illustrator
ā
ā ćLeagueļ¼ćAllćŖć¼ć°
ā ćOverall scoreļ¼ć2126
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćBest Selection Award
ā ćUniversityļ¼ćęę²»å¤§å¦
ā ćSchool yearćļ¼ćMaster 1st year
ā ćArchitectļ¼ćę°“č¶ ę°øč²“
"Mt.Fuji is a symbol of Japan. Its majestic and beautiful appearance reigns as a symbol of Japan in all ages. This fact is clear even if we trace the history of Mt.Fuji worship.
The Thirty-six Views of Mount Fuji, drawn by Japanese ukiyo-e artist Katsushika Hokusai, depicts Mt. Mt.Fuji, which can be seen from anywhere, exists as a symbol that connects 36 places visually or consciously.
The Thirty-six Views of Mount Fuji was painted in 1831. At this time in Japan, the study of the Japanese national system was completed, and it was an era when people were searching for a theory of the national polity of Japan, how to conceive the concept of the national polity of Japan in preparation for the opening of the country.
From these backgrounds and considerations, it can be interpreted that the background of Thirty-six Views of Mt. is not it.
Based on that interpretation, the Thirty-six Views of Mt.
This proposal dismantles the present-day Mt. Fuji, which has ceased to play the role of national integration through sight, into a collection of various experiences of diverse people. "
ID:006
Title :Renewal of Healthy Campus of Tongji University School of Medicine
ā
ā ćSiteļ¼äøå½äøęµ·åøę®éåŗēåč·Æ500å·
ā ćProgramļ¼Education Update Urban Design
āā ćSoftwareļ¼Rhinoceros Lumion Photoshop
ā
ā ćLeagueļ¼ćAllćŖć¼ć°
ā ćOverall scoreļ¼ć2117
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćBest Selection Award
ā
ā ćUniversityļ¼ćåęµå¤§å¦
ā ćSchool yearćļ¼ć4th year undergraduate
ā ćArchitectļ¼ćå°¹ę³½čÆ
ā ćCo-Architectļ¼ćåęµå¤§å¦ å幓ēŗ§ 걤ęÆč±Ŗ
ā ćCo-Architectļ¼ćåęµå¤§å¦ å幓ēŗ§ å²ęø ęŗ
ā ćCo-Architectļ¼ćåęµå¤§å¦ å幓ēŗ§ éååØ
Tongji University started with the medical department, and the medical plot is very deep. However, the Huxi campus where the medical school is located is old and needs to be updated urgently to meet the needs of discipline revitalization. The overall design is based on this background. Orientation to help Tongji medical revival. At the campus level, the design optimizes the spatial structure, functional layout and traffic organization as a whole. Combined with the functional concept of the campus in the new era of 2035, the campus space with traditional functional isolation and environmental carving is transformed into a campus place that emphasizes functional complex and dialogue between the old and the new. . At the architectural level, we design and connect important building nodes in the campus with the clues of "settlement", "happy life", "learning", "innovation" and "ecology" respectively, and respond to the future layout of innovative and healthy campuses with a complex functional group model , and based on this, it is possible to provide a healthy space for the revitalization of medicine.
ID:007
Title :Unbounded Symbiosisā
ā
ā ćSiteļ¼äøå½å¹æäøēē ęµ·åøéę¹¾åŗę“Ŗę¹¾ēåŗ
ā ćProgramļ¼Commercial area, Residential area, Education
āā ćSoftwareļ¼SketchupćautocadćT20天ę£ćpsćai ćidćenscapećvray
ā
ā ćLeagueļ¼ćAllćŖć¼ć°
ā ćOverall scoreļ¼ć2112
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćBest Selection Award
ā
ā ćUniversityļ¼ćē ęµ·ē§ęå¦é¢
ā ćSchool yearćļ¼ć4th year undergraduate
ā ćArchitectļ¼ćå¼ ä¼ę°
""Homeland" is people's common cognition of the most basic social space in a city, and achieving harmonious coexistence is an eternal topic of human pursuit of a better life." "Wisdom" is within the third and fourth industrial revolutions (new technology) In the context of the revolution, factors that must be considered in the future development of the home to realize a real smart city; Tang Changan divided Quancheng into several "li" and "square" as residential areas, a resident from work to life, basically exists and " In the "Li" and "Square", the periphery is built with high walls, and the commercial and handicraft industries are planned in the concentrated "city".
Modern planning should take the essence and discard the dross, keep the "li" and "square" including residential and other functions, and place the business that was concentrated in the outer "city" in the Tang Dynasty in the "li" and "square", and After removing the high wall, each "lifang" module can meet a variety of functions, and each module can be connected with each other through the corridor, creating a home without borders for living together. With the development of the times, when the speed of construction of various infrastructure in cities cannot keep up with the speed of population concentration and development, it will bring consequences such as housing shortage, traffic congestion, poor communication, and environmental pollution.
ID:008
Title :Yuan Sympathy·Magnetic Marketā
ā
ā ćSiteļ¼č„æå®åøå «ä»åŗµå°ę®µ
ā ćProgramļ¼City design
āā ćSoftwareļ¼Photoshopćlumionćsketchupćillustratorćrhinoćautocad
ā
ā ćLeagueļ¼ćAllćŖć¼ć°
ā ćOverall scoreļ¼ć1089
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćBest Selection Award
ā
ā ćUniversityļ¼ćäøå½éæå®å¤§å¦
ā ćSchool yearćļ¼ć4th year undergraduate
ā ćArchitectļ¼ćé©¬ę¬£č»
ā ćCo-Architectļ¼ćéåŗå¤§å¦ ē äø å¼ čæå¾·
This scheme is based on the theory of relational coupling, takes the Baxiangong area in Xi'an as the design object, and is guided by the concept of magnetic force generated by sympathetic current. Space, extending the axis of ritual order for historical sites and other planning techniques, fully transform and update the original urban village with broken architectural texture, the inactivated and decayed antique market around the Eight Immortals Palace, the old residential area and the abandoned gray space in the city. In order to enrich the spatial connotation, the design analyzes the way people get along with each other through Jung’s eight-dimensional character, and builds a virtual Yuanjia social world, modularizing the interest space into the renovated building, forming a virtual magnetic level in the cloud, and enhancing the popularity and attractiveness of the area. Drive online and offline consumption of "Magnetic Market". At the external space level, the design focuses on using the connection of composite space and public space to link the original isolated development areas, continuing the original ritual axis of Baxian Nunnery, in order to form a city where virtual and reality are coupled and mutually robbed, and information flow and material flow are benignly coupled. picture.
ID:010
Title :Co-Vertical Farm
ā
ā Site: Wuhan, Hubei, China
ā Program: Residential
ā Software: Revit Rhino Ps AI ID Airpak CAD Lumion
ā League: All ćŖć¼ć°
ā Overall score: 2064
ā Award year: 2022
ā Award name: Best Selection Award
ā University: Southwest Jiaotong University
ā School year: 4th year undergraduate
ā Architect: Zhang Li Xingyue
ā Co-Architect: Southwest Jiaotong University Architecture Class 2018 Du Mingxuan
ā Co-Architect: Southwest Jiaotong University Architecture Class of 2018, Wu Beth
"This plan focuses on openness and sharing, and a new style of returning to the garden.
The rapid development of today's society has led to the expansion of population and the shortage of land resources. The social needs have been seeking benign symbiosis with land resources. Therefore, the discussion on the concept of "housing" continues to expand. The concept of "cooperative vertical farm" proposed in this conceptual design not only includes the innovative discussion of the original residential form: the compatibility of permanent residence and short-term stops; it also includes the openness of the residents' life form: liberating the soul in the city, returning to Pastoral life; at the same time, the open use of the original "residential" space has also formed the concept of "cooperation and openness.
The building is mainly divided into two parts, one part is the main "shared body" - the general balcony space is shared to form an open farm, and the farm is arranged around the space of homestays and youth hostels. The renovation reshapes the living space of "balcony", and turns the place where the implicit communication with the outside world takes place into a social activity for common participation. Temporary residents and residents work together, and the fruits of labor are also shared to a certain extent, deeply practicing the "cooperative style".
ID:011
Title :Silk Road Art and Culture Centreā
ā
ā ćSiteļ¼ēčēå¼ ęåø马č¹åÆŗ
ā ćProgramļ¼cultural Center
āā ćSoftwareļ¼CADćRhino, Photoshop, Illustrator, Idesign, lumion
ā
ā ćLeagueļ¼ćAllćŖć¼ć°
ā ćOverall scoreļ¼ć2059
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćBest Selection Award
ā
ā ćUniversityļ¼ćę¹åå·„ēØå¦é¢
ā ćSchool yearćļ¼ć5th year undergraduate
ā ćArchitectļ¼ćęęå®
With the advent of globalization, local cultural identity is dying out, and this changing architectural culture profoundly influences our beliefs and attitudes. Through understanding the culture of the Silk Road, I want to build a space carrier carrying culture and think about the internal connection and expression form between architecture and culture. I took horseshoe Temple on the Silk Road as the research object and repaired the current temple by means of silk weaving. I hope it can become a direct expression of the Silk Road culture and convey our vision of looking back to the past and looking forward to the future.
ID:012
Title :planting colorā
ā
ā ćSiteļ¼ę±äŗ¬é½äø央åŗéåŗ§
ā ćProgramļ¼Commercial facility
āā ćSoftwareļ¼AutoCADćRhinocerosćIllustratorćPhotoshopćTwinmotion
ā
ā ćLeagueļ¼ćAllćŖć¼ć°
ā ćOverall scoreļ¼ć2054
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćBest Selection Award
ā
ā ćUniversityļ¼ćčęµ¦å·„ę„大å¦å¤§å¦é¢
ā ćSchool yearćļ¼ćMaster 1st year
ā ćArchitectļ¼ćčč„æ å„ä»
The power of humans is increasing and the power of nature is being lost. An era of unequal relationships. I believe in the colors of nature, and Suesai draws the blessings of people and nature. Planting up to now is to plant greenery that has been domesticated by humans, and planting greenery in this proposal is to plant greenery that is not managed by humans. Located in Ginza, which is surrounded by an oasis in the heart of the city, such as the Imperial Palace, Hibiya Park, and Hama-rikyu Gardens, the spatial experience of feeling the vitality of nature by changing the nature of greenery has a secondary effect on human beings, and the quality of green awareness. will be an opportunity to raise We will carry out a planting plan that will be lost in the increasing number of pencil buildings in Ginza. Through the graduation design, the prospect is that Suesai will redefine the new value of nature.
ID:013
Title :In a world where there are trees, insects, birds and childrenā
ā
ā ćSiteļ¼ę„ę¬ćē„å„å·ēćåęØåøćäøč»éć1429
ā ćProgramļ¼primary school
āā ćSoftwareļ¼ArchiCAD, Photoshop Illustrator
ā
ā ćLeagueļ¼ćAllćŖć¼ć°
ā ćOverall scoreļ¼ć2052
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćBest Selection Award
ā
ā ćUniversityļ¼ćę±äŗ¬é»ę©å¤§å¦
ā ćSchool yearćļ¼ć3rd year undergraduate
ā ćArchitectļ¼ć徳家 äøå„
Satoyama, which was once an indispensable part of life, has become diverse due to human intervention. Satoyama, which is now neglected because it no longer needs the resources of the mountain, has various problems. Therefore, we propose to develop the resources of satoyama into education. Through various experiences in satoyama, children will come into direct contact with various places and things in nature, which will be a source of self-confidence. Starting with activities for children, a new community will be born that involves local residents, guardians, etc., and will serve as an opportunity to support local industries and restore the diversity of satoyama. When designing, we paid attention to percolating water veins in the ground throughout the year and protected normal water veins by making the building a raised floor type. The load-bearing wall, which is a structural body, brings various effects both spatially and temporally. In order to maintain the balance between human space and natural space while maintaining satoyama vegetation, the placement of load-bearing walls conveys the existence of water veins to future generations. At this elementary school, children receive learning that can only be found in satoyama. Satoyama regains its value as an entity that creates a place for children, and the region inherits the diversity of Satoyama.
ID:014
Title :Uraokoshi Calling Kanazawa's Ura, Our Ura
ā ćSiteļ¼public space
ā ćProgramļ¼ćććŖććÆć¹ćć¼ć¹
āā ćSoftwareļ¼ARCHICADćSketchUpćAdobe IllustratorćAdobe PhotoshopćTwinmotion
ā
ā ćLeagueļ¼ćAllćŖć¼ć°
ā ćOverall scoreļ¼ć2056
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćBest Selection Award
ā
ā ćUniversityļ¼ćéę²¢å·„ę„大å¦
ā ćSchool yearćļ¼ć4th year undergraduate
ā ćArchitectļ¼ćč„æå°¾ ä¾ę©ē“
ā
"Back of Kanazawa". Ura, which is located next to the front, has a townscape that retains the remnants of the Edo period when it prospered as Kaga Hyakumangoku, and a modern townscape that has been reorganized through redevelopment. was In Ura, even today, you can see scenery that autonomously expresses the individuality and desires of the people of the town in the form of decorations and events. However, since the 1980s, due to repeated developments and the prefecture's political intentions to uphold the front, the theaters that had built up the back were relocated and many buildings were demolished, and the back was disappearing and becoming more uniform. there is Since the post-war Showa era, when this town was born, the unique scenery that expresses our individuality and desires (our back) is regarded as the "back identity" and should be protected and expanded in this town. I thought it was the scenery that should be done. For the four sites in Ura, where the vitality is not felt, I created a structure that will serve as an auxiliary line to encourage people's independent activities, such as a single-pipe scaffolding device that amplifies individuality and four huge movable doors. proposed. People freely interpret the heterogeneous structures that appear in the city, projecting their own individuality and desires. Ura, which is becoming more uniform, will once again be colored by people's individuality as time goes by. The architecture and the individuality of the people in the town will help revive the back. Uraokoshi, Kanazawa, to pass on the last suspiciousness to future generations.
ID:015
Title :Museumā
ā
ā ćSiteļ¼The site is located in Vasai Fort , Killa Rd, Police Colony, Vasai West, Palghar district, State Maharashtra, India.
ā ćProgramļ¼Museum Spaces, Administrative departments, Study Center, Exhibition centers, Library with book records, Spill out spaces, Cafeteria, etc.
āā ćSoftwareļ¼AutoCAD, SketchUP, Vray, Lumion, Photoshop.
ā
ā ćLeagueļ¼ćAllćŖć¼ć°
ā ćOverall scoreļ¼ć2035
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćBest Selection Award
ā
ā ćUniversityļ¼ćMumbai University
ā ćSchool yearćļ¼ć4th year undergraduate
ā ćArchitectļ¼ćEldhose Bince
The concept of my design is inspired from the perspectival view of the monumental Vasai fort, closely located to our site of interest. This inspiration takes birth in the fact that the historic fort can be caught site of, from each and every location of the exhibition floor, in its complete elegance. The objective of my design was to create a wholesome experience for the visitors, thereby enabling them to experience a walkthrough the timeline of history, as they take a stroll through the museum. A perfect blend of achieving conceptual based architectural design enables the visitor to connect more to the respective historical artefacts in display. The design proposal strives to blend the philosophies of the contemporary architecture with passive architectural ideologies to attain inclusiveness in all possible ways and means. One of my priority was to create a space which would serve the purpose of panoramic view of the site with more open end spaces. Le Corbusier have always been one of my inspiration while designing buildings whose ideologies mainly revolve around the ‘Dom-ino’ design and the ‘Five Points Architecture’. I believe that architecture shouldn’t just be about a built form, instead it should aim to should have create a character that brings its spaces and detailing to life. This will in turn encourage people to connect more to the structure and its surrounding nature, to the maximum possible extent. Another stand out feature of my design lies in the reflected picturing of the great ‘Chimaji Appa’, from the perforated wall onto its opposite side wall, due to the internal reflection caused by the sunlight. This picturing on the third floor of the museum intends to offer a phenomenal experience to the visitors.
One-League
WASA
It is a league that competes only for comprehensive proposal ability in building design proposals.
WASA World Architecture Student Award WLS World League Match Winners
ID:016
Title :The Incarceration of a City: Floating Structures of the "in-between"ā
ā
āā ćSoftwareļ¼Rhino, illustrator, photoshop, Indesign
ā
ā ćLeagueļ¼ćOnećŖć¼ć°
ā ćProduction scoreļ¼ć1122
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćGenius production Medal
ā
ā ćUniversityļ¼ćThe School of the Art Institute of Chicago
ā ćSchool yearćļ¼ćMaster 2nd year
ā ćArchitectļ¼ćArwa Qalalwa
ā ćSiteļ¼The Gaza Strip 8G3PCCF6+V4
ā
ā ćProgramļ¼A robust Infrastructure that activates and thrives Gazan communities, it responds to real-life scenarios in Gaza, and provides shelter, energy production, rainwater cultivation, co-habitation, and operates above ground, underground and somewhere in the “in-between” in Gaza’s surface.
ā
A robust infrastructure that activates and sustains Gaza's communities. The project develops a set of sectional conditions of a new type of infrastructure responding to real-life scenarios in Gaza under Israeli occupation, destruction, and incarceration. The system is operational all year long and works on various terrestrial levels, providing shelter, energy production, rainwater cultivation, and sustaining life activities and resistance under the extremely constrained urban conditions of Gaza.
ID:017
Title :Adult Park Through the analysis of Kafka and Hemingwayā
ā
ā ćSiteļ¼ę±äŗ¬é½ęøč°·åŗåå±±ēŗļ¼−ļ¼ļ¼
ā ćProgramļ¼park
āā ćSoftwareļ¼Illustrator Photoshop Rhino, Autocad
ā
ā ćLeagueļ¼ćOnećŖć¼ć°
ā ćProduction scoreļ¼ć1098
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćMaster production Medal
ā
ā ćUniversityļ¼ćę±äŗ¬ēē§å¤§å¦å¤§å¦é¢
ā ćSchool yearćļ¼ćMaster 2nd year
ā ćArchitectļ¼ćå굦 č”äøé
"This is a proposal to design an architecture in Shibuya to reconsider yourself by incorporating the worldviews of the two books into the space.
The two books have contrasting contents, but both have a common theme of reexamining oneself.
So, by spatializing the worldviews of the two books, I came up with the idea of āācreating two contrasting spaces where you can reconsider yourself.
The site will be designed at the midpoint between the front and back of Shibuya.
Next, drop the world view into the space.
First, the contents of these two books are introverted and extroverted, respectively, so we define them as internal space and external space, respectively.
Next, extract the parts that express the world view of the two books, abstract them, and apply them to the technique.
For example, in Kafka's space "feel the presence", by manipulating the walls and adding level differences, it is possible to create a space that is visually invisible but can be felt.
By creating five spaces in the same way, you can create spaces for introverts and extroverts.
By creating a flow line that connects them, you can come into contact with different values āāand think more deeply about your own way of life. "
ID:018
Title :expieriencedartgalleryā
ā
ā ćSiteļ¼Barras Market, Glasgow
ā ćProgramļ¼Expierienced Arts Gallery
āā ćSoftwareļ¼Sketch Up, Enscape, Vray, Indesign, Photoshop
ā
ā ćLeagueļ¼ćOnećŖć¼ć°
ā ćProduction scoreļ¼ć1084
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćBest Selection Award
ā
ā ćUniversityļ¼ćGlasgow School of Art
ā ćSchool yearćļ¼ćMaster 2nd year
ā ćArchitectļ¼ćGracjan
My personal interest in contemporary arts as well as influence of contemporary art on modern society has initiated my research standpoint. Particularly noting the rapid widespread and meaningful impact of artists work on the social and cultural wide spectrum global audience due to social media and online activity. My viewpoint on
contemporary art extends and occurs further beyond exhibition of artefacts exhibited in white gallery space- today modern society expects to live through an experience created and set up by the artist. Artists that use existing space with its architectural characteristics and through ad-hoc ways of artistic perspective re-define them- For
instance works of Richard Wright & Jim Liamby.Artists that use gallery space as plain canvas space to create experiences through
installations of their own-the space and artistic input work as two separate entities- with emphasis on space being just the vehicle for the
experience. These can be observed in artists: Ann Veronica Jenssens, Mirsolav Balka, Random International-artists basing their work on projections and light or technological solutions.
This approach its interesting for opening into futuristic proposals and development on this kind of art. Use of digital technology to make art its
an interesting development in contemporary arts.
ID:019
Title :SFM ć-Satellite Factory × Factory Museum-ā
ā
ā ćSiteļ¼ę±äŗ¬é½å¤§ē°åŗäŗ¬ęµå³¶2-10
ā ćProgramļ¼Collective factory, art museum, complex facility
āā ćSoftwareļ¼rhinoceros,illustrater,photoshop,twinmortion
ā
ā ćLeagueļ¼ćOnećŖć¼ć°
ā ćProduction scoreļ¼ć1063
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćBest Selection Award
ā
ā ćUniversityļ¼ćęę²»å¤§å¦å¤§å¦é¢
ā ćSchool yearćļ¼ćMaster 1st year
ā ćArchitectļ¼ćéē° å²³
The project site is located on Keihinjima, an artificial island in Ota Ward facing Tokyo Bay that was completed in 1986 by land reclamation. The challenge is to have two functions in this place, which is a declining "manufacturing town", as a "base for art and manufacturing" and a "collective factory" where factories with advanced and advanced technology in Ota Ward are located. This is an architectural proposal. First of all, after preliminary research, we have a network that allows us to cooperate with each other in the processing process between factories in Ota Ward, called nakama mawashi, and deliver the ordered products. I paid attention to two points that the real space is not a "thing" but a place (= studio) to transmit the story. From this, I considered the concept of this proposal from two axes. The first is to apply the existing “Nakamawashi” to free up the processing processes and processing spaces of the existing factories on Keihinjima Island. It will be a cluster of satellite factories for the purpose of promotion and manufacturing cooperation. The second is to use this place as a base for "visualizing and experiencing (=museum)" from receiving orders for manufacturing in Keihinjima to delivery and sales. We propose a complex facility that will be a place for business people and factory tours for business people and ordinary people.
ID:020
Title :Indigenous Cultural Education Centre (Final Design Proposal) ā
ā
ā ćSiteļ¼Ouyan Street, Surfers Paradise, Queensland AUSTRALIA
ā ćProgramļ¼1. Art Exhibition, 2. Library, 3. Art Learning, 4. Music Learning, 4. Dance Learning, 5. Restaurant, 6. Open Indoor Dance Space, 7. Outdoor Performance Space, 8. Service/Storage.
āā ćSoftwareļ¼Revit, SketchUp, AutoCAD, Procreate (Ipad), Lumion, Photoshop and InDesign.
ā
ā ćLeagueļ¼ćOnećŖć¼ć°
ā ćOverall scoreļ¼ć1059
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćBest Selection Award
ā
ā ćUniversityļ¼ćDeakin University
ā ćSchool yearćļ¼Master 2nd year
ā ćArchitectļ¼ćMauritian Kreole
The concept of the Nerang River Indigenous Cultural Education Centre was inspired through the respect I wanted to pay to the indigenous people of Australia by supporting the passing of indigenous knowledge. A place where people can learn about aboriginal culture of Yugambeh Territory in Queensland, Australia. The design of the building and its landscapes were developed with inspiration of the natural elements surrounding the proposed site, especially its connection to the Nerang River. A place with a historical meaning towards the aboriginal people of this region. I wanted the building to become a symbol of journey from Earth to Water through it's fluid design while blending in its site and hiding 'urban concrete junk' from the river view. The landscapes become a place of connection to the indigenous grounds. Ultimately, the centre becomes a space of understanding, respect, learning and re-education of Indigenous People and their almost lost culture in the region.
ID:021
Title :PARK+ing - Proposal of a near-future city for mobile people with an eye on electric vehicles -ā
ā
ā ćSiteļ¼ę±äŗ¬é½ęøÆåŗćå°å “
ā ćProgramļ¼parking
āā ćSoftwareļ¼IllustratorćPhotoshopćRhinocerosć
ā
ā ćLeagueļ¼ćOnećŖć¼ć°
ā ćProduction scoreļ¼ć1059
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćBest Selection Award
ā
ā ćUniversityļ¼ćę³ęæ大å¦
ā ćSchool yearćļ¼ćMaster 1st year
ā ćArchitectļ¼ćå ē å¾å£«
"This is the story of how parking lots, which are large void spaces in the city, are transformed into new places for people to live. As the world shifts to electric vehicles, the way we live and work will evolve and change rapidly. This proposal is a proposal for a near-future city that I expect for the future.
Apart from the increase and decrease in the number of cars, parking lots continue to increase rapidly. Isn't it a problem that parking lots that do not function as places for people to spend time continue to increase?
On the other hand, with the spread of electric vehicles, the value of cars will increase not only as transportation but also as a place to stay. There are more and more people who work and live without a base, and they are called mobile tribes. We propose the way mobile people spend their time and its architectural form in a multi-storey parking lot.
Until now, architecture has been conceived from a human-centered perspective. In the future, cars will enter the building, and the form of the building itself will change greatly as people and cars coexist. In this proposal, we tried to design based on the change. "
ID:022
Title :I Mine Communityā
ā
ā ćSiteļ¼ę°ēēåÆåÆęęµ·ēæå
ā ćProgramļ¼Ecological restoration, mine community
āā ćSoftwareļ¼CADćRhino, Photoshop, Illustrator, Idesign, lumion
ā
ā ćLeagueļ¼ćOnećŖć¼ć°
ā ćProduction scoreļ¼ć1044
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćBest Selection Award
ā
ā ćUniversityļ¼ćę¹åå·„ēØå¦é¢
ā ćSchool yearćļ¼ćMaster 1st year
ā ćArchitectļ¼ćęęå®
With the development of heavy industry, the industrial structure is facing transformation. The project looks at China's heavy industry cities 50 years from now, when they will have reached maturity. The project aims to improve the environment of the mine by reusing the old mine. Build an ecological community integrating agriculture, industry, education and entertainment in the mining area. People form a new model of community economy through material exchange. It is committed to promoting the development of the community in the future, the formation of the community economic model, awakening people's awareness of the use of the waste mine, and providing a convenient and friendly ecological environment for the people of the mining area.
ID:023
Title Light the way to live on the island
ā
ā ćSiteļ¼ę„ę¬å®®åēē³å·»åøé®å·ęµ
ā ćProgramļ¼Fishery facilities, whaling facilities, viewpoints, small halls, etc.
āā ćSoftwareļ¼Rhino/illustrator/photoshop
ā
ā ćLeagueļ¼ćOnećŖć¼ć°
ā ćProduction scoreļ¼ć1041
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćBest Selection Award
ā
ā ćUniversityļ¼ćäŗ¬é½å¤§å¦
ā ćSchool yearćļ¼ćMaster 1st year
ā ćArchitectļ¼ćä½č¤ å¤ē¶¾
"Even after being swept away by the tsunami, people's lives continue to live on the sea side. From a survey centered on dialogue and actually seeing livelihoods in Ayukawahama, Ishinomaki City, Miyagi Prefecture, the disaster area of āā3.11, we found that the core of life is now. I was keenly aware of the fact that it is still on the beach, the strength of the tradition of actually seeing the livelihood and life, and the diversity of the people who are active in Ayukawa.
Based on these, we plan to create a "museum" of Ayukawa on the sea side of the seawall to show the livelihoods, that is, the livelihoods and lifestyles of Ayukawa.
The design configuration is
1. Liberation of whale slaughterhouses that show whaling that has continued since ancient times, and fascination with whales
2. Revival of banya, floating architecture, invitation to the sea, showing fishing in the fishing grounds
3. Katariba, showing the recovery of Ayukawa, talks by the sea
4. A viewpoint to see the future of Ayukawa, thinking about the future of Ayukawa
Based on these four programs, we will create a space that is open to the outside while focusing on the activities there.
The design method uses a strong structure and SI as one element. Considering the spatiality of the fishing port and the future post-earthquake situation, steel frames were used extensively. The second element uses temporary construction. We decided to use it based on the spatial nature of the seaside, where the usage changes with time.
Considering the large earthquake that will come someday and the scenery of the fishing port, I created a building that will be a place for people to live. Create a new future for Ayukawa with the power of architecture. "
ID:024
Title :Iso Chronic Cityā
ā
ā ćSiteļ¼Harlesden, London, UK
ā ćProgramļ¼Multiple 15 minute cities by altering network centrality and introducing missing amenities
āā ćSoftwareļ¼Rhino with Grasshopper and Python Scripting, Enscape, Unity 3D with C# Scripting, SketchUp, AutoCad, QGIS, DepthMapX, Indesign, Illustrator, Photoshop, Premiere Pro, After Effects, Microsoft Office
ā
ā ćLeagueļ¼ćOnećŖć¼ć°
ā ćProduction scoreļ¼ć1038
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćBest Selection Award
ā
ā ćUniversityļ¼ćUniversity College London
ā ćSchool yearćļ¼ćMaster 1st year
ā ćArchitectļ¼ćSonali Bordia
ā ćCo-Architectļ¼ćUniversity College London Master 1st year Prakriti Srimal
ā ćCo-Architectļ¼ćUniversity College London Master 1st year Shuyao Li
ā ćCo-Architectļ¼ćUniversity College London Master 1st year Siyang Zheng
IsoChronic City is an urban response to the recent predicament of what the process of reurbanization in cities will entail in the post-pandemic era. The project uses datasets interpreted by machine learning algorithms along with spatial computational methods to create urban environments influenced by notions of proximity and walkability within 15 minutes. The proposal consists of restructuring existing network centrality, fabricating responsive public spaces and transforming unused built structures with additional amenities to create a city which repeats itself at regular intervals.
ID:025
Title :Rising with the Phoenixā
ā
ā ćSiteļ¼Fanling New Development Area, Hong Kong
ā ćProgramļ¼Regional mixed use development, ecological enhancements, social cultural integration
āā ćSoftwareļ¼AutoCAD, Rhino, Enscape, Lumion, Photoshop, Illustrator, Indesign, ArcGIS Desktop
ā
ā ćLeagueļ¼ćOnećŖć¼ć°
ā ćProduction scoreļ¼ć1031
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćBest Selection Award
ā
ā ćUniversityļ¼ćCornell University
ā ćSchool yearćļ¼ćMaster 2nd year
ā ćArchitectļ¼ćLok Tim Chan
“Blue-green infrastructure 2.0: The next generation of blue-green infrastructural design in its re-integration with social & cultural realms - Rising with the Phoenix” is a design thesis project centering around the importance and implications of integrating the human element in the development of blue-green infrastructure (BGI) design beyond prevailing efforts on innovations of this technology’s hydrological aspects (blue) and ecological potentials (green).
At an area of 165ha, Fanling New Development Area (NDA) as a new development area located in Hong Kong is selected to demonstrate how BGI innovations across scale can integrate local social and cultural colors. This unique site is intersected by the key Ng Tung River of the larger Northern New Territories and consists mostly of industrial grounds and vegetated planes within the planning boundaries.
Through rigorous and robust site analysis as well as in-person interviews of local cultures and histories, a deep and comprehensive understanding of the larger region is distilled and used to guide the larger design motif and direction. Ecological, hydrological, and social research and projections provide a canvas for site-specific design details while the cultural and historic relics defining the local communities direct the overall thematic approach and the interrelationships between people, water, and ecology.
ID:026
Title :New Schwangauā
ā
ā ćSiteļ¼Germany
ā ćProgramļ¼Resident and Shopping
āā ćSoftwareļ¼Rhino Lumion Adobe
ā
ā ćLeagueļ¼ćOnećŖć¼ć°
ā ćProduction scoreļ¼ć1022
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćBest Selection Award
ā
ā ćUniversityļ¼ćLeibniz Universität Hannover
ā ćSchool yearćļ¼ć3rd year undergraduate
ā ćArchitectļ¼ćChun Te Lee
New schwangau is located under the Alps. Abundant natural resources and tourism resources are the biggest advantages here. But at the same time, there are also many social structural problems. Therefore, this design is a small urban planning design that combines the local cultural background, social structure issues and natural landscape. It is mainly for the environmental planning derived from the young generation returning to their hometown or staying in their hometown for development. We look forward to changing the status quo through architecture and urban planning.
The design concept in the landscape incorporates curving flowerbeds and meadows. Try to integrate all areas with nature. Decorate the area with “water” and add different natural elements. Create opportunities in people’s lives to interact with the environment. Balancing and communicating between living conditions and natural ecology is what we expect throughout the region.
Design of the building is mainly inspired by the rolling peaks of the Alps. Continuous irregular pitched roofs form multiple living units. On the ground floor of the building are mainly commercial and office areas. Combined with large floor-to-ceiling windows, the entire area has high light transmission. Above the second floor is the living space and the building body is connected by wooden bridges to achieve variable circulation and flexible open space. The exterior wall of the building is made of slender wooden grilles and a large number of plants are attached. Therefore, the effect of light blocking and green façade is achieved.
TWO-League
WASA
It is a league that competes only for comprehensive expressive ability in architectural design proposals.
WASA World Architecture Student Award WLS World League Match Winners
ID:027
Title :studioā
ā
ā ćSiteļ¼United Kingdom, Manchester (Carpark space of Hope mill, 113 Pollard St, Manchester M4 7JA, United Kingdom)
ā ćProgramļ¼Multi-purpose apartment for artists
āā ćSoftwareļ¼autocad, sketchup, enscape, photoshop, procreate
ā
ā ćLeagueļ¼ćTwoćŖć¼ć°
ā ćPresentation scoreļ¼ć1020
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćGenius presentation Medal
ā
ā ćUniversityļ¼ćManchester School of Architecture
ā ćSchool yearćļ¼ć2nd year undergraduate
ā ćArchitectļ¼ćAmanda Leong Meng Dan
The apartment consists of a theater, practice rooms and multiple different accommodations. As Hope Mill is an old mill turned multi-purpose studio for artists of all types, and the one form of art that fascinates myself the most was performing art, specifically musical theater performances. Having an old mill which represents the history of how Manchester got its title as an 'industrial city' and merging it with the music and art scene of modern Manchester seems intriguing. Thus, came the idea of having both elements within a single building, having them interact with each other but also not interfering with one another.
ID:028
Title :Childream - child friendly housingā
ā
ā ćSiteļ¼å¤©åŗäøč” äøå½
ā ćProgramļ¼child friendly housing
āā ćSoftwareļ¼rhino+enscape+photoshop
ā
ā ćLeagueļ¼ćTwoćŖć¼ć°
ā ćPresentation scoreļ¼ć1003
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćMaster presentation Medal
ā
ā ćUniversityļ¼ćč„æåäŗ¤é大å¦
ā ćSchool yearćļ¼ć3rd year undergraduate
ā ćArchitectļ¼ćęę±ę„·
"The concept of child-friendly is derived from "child-friendly cities". In 1996, at the second UN Habitat Conference, UNICEF and UN-Habitat jointly advocated the construction of "International Child-Friendly Cities Program". The meeting pointed out that the health of children and children is the ultimate criterion for measuring the health of the human living environment and the level of government management. However, the new generation of parents is under increasing work pressure, it is difficult to balance the time to spend with their children, and at the same time, it is not conducive to the life of children. The environment has higher requirements, and an age-appropriate, safe, interesting, and learning-oriented space is needed.
in life.
Based on this concept, this scheme will be scattered in the original urban space, and the living space suitable for children of different ages will be extracted, and added to the residence through a certain combination method, connecting each other to form a system, allowing children to fully experience the joy of childhood, and let the children fully experience the joy of childhood. Parents who yearn to be involved in their children's growth can also enjoy parent-child time.
"
ID:029
Title :RE-INTERWINE Re-thinking Beirut Portā
ā ćSiteļ¼Beirut City, Lebanon
ā ćProgramļ¼Urban planning and design.
āā ćSoftwareļ¼Rhino, Lumion, Photoshop, Illustrator, Auto CAD
ā
ā ćLeagueļ¼ćTwoćŖć¼ć°
ā ćPresentation scoreļ¼ć1002
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćBest Selection Award
ā
ā ćUniversityļ¼ćNational Taiwan University of Science and Technology
ā ćSchool yearćļ¼ćMaster 1st year
ā ćArchitectļ¼ćåØå¤č¶
ā ćCo-Architectļ¼ćNational Taiwan University of Science and Technology, First year of graduate school, Qin-Chao Zhou,
ā ćCo-Architectļ¼ćNational Taiwan University of Science and Technology, First year of graduate school, Wan-Hsuan Wu
This project aims to redesign each urban block and connected it in tandem with a linea r transportation system. An intertwined approach is used to try to solve the problems of the city. The four specific zones identified—based on opportunity and potential—are characterized by different strategies and uses. They can be described as: Waterfront activities center, Cultural and Creative Center, Agricultural Trade and Food district and innovation center.Coupled with citizen participation, allow users to customize their own street activities and behaviors. We aim to provide a sustainable urban design that belongs to the local population!
Beirut is one of the oldest cities in the world, devastated by the Lebanese civil war 30 years ago. Its cultural landscape underwent major reconstruction. For nearly three years now, Lebanon has been assailed by compounded crises—specifically, an economic and financial crisis, followed by COVID-19 and, lastly, the explosion at the Port of Beirut on 2020, the economic lifeline of the city was forced to stop functioning. —“After the explosion: What’s next for Beirut?”
ID:030
Title :Beijing Danwei Compound 2.0ā
ā
ā ćSiteļ¼Beijing
ā ćProgramļ¼Open Residential Neighborhood
āā ćSoftwareļ¼Sketchup Photoshop InDesign Rhino
ā
ā ćLeagueļ¼ćTwoćŖć¼ć°
ā ćPresentation scoreļ¼ć999
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćBest Selection Award
ā ćUniversityļ¼ćHarvard University
ā ćSchool yearćļ¼ć4th year undergraduate
ā ćArchitectļ¼ćXudong Zhu
Danwei, the communist work-life urban unit, is usually an enclosed community in today’s Chinese cities, built by the government or state-owned corporations to provide their employees with jobs, housing, and other welfare facilities. It then represented a unique vision of constructing a city in China under the Planned Economy. However, the physical walls of these outdated superblock compound units became problematic nowadays. They caused traffic congestion, inefficient urban space utilization, and ultimately privatized public facilities. How to reasonably remove the walls around the compound and open the originally introverted block to the city has become the core topic of the project.
European settlements have always been known for their openness. In most cases, the balance between the privacy of the housing and the publicity of the urban environment is always properly proposed. Taking advantage of the double-degree program at Polytecnico di Milano, I conduct on-site research on 32 cases of local opening residential blocks and study urban renewal strategies. By analyzing the spatial characteristics, management mechanism, and open attributes, I summarize several design methods and public participation mechanisms of local open residential blocks. Then, combining the historical development of the Beijing Danwei Compound and its unique spatial typology, a series of corresponding regeneration strategies are put forward.
ID:031
Title :Conflux - Where Rivers of the Bronx Meetā
ā
ā ćSiteļ¼Cross Bronx Expressway, The Bronx, NY, USA
ā ćProgramļ¼Megainfrastructural redesign, community revitalization, riverfront design, regional urban redevelopment
āā ćSoftwareļ¼AutoCAD, Rhino, Lumion, Enscape, Photoshop, Illustrator, Indesign, ArcGIS
ā
ā ćLeagueļ¼ćTwoćŖć¼ć°
ā ćPresentation scoreļ¼ć997
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćBest Selection Award
ā
ā ćUniversityļ¼ćCornell University
ā ćSchool yearćļ¼ćMaster 2nd year
ā ćArchitectļ¼ćLok Tim Chan
ā ćCo-Architectļ¼ćCornell University, MLA 2022, Yichen Liu,
ā ćCo-Architectļ¼ćCornell University, MLA 2022, Yiyun Liu
Conflux: Where Rivers of the Bronx Meet is a comprehensive and extensive design imaginary that addresses complex issues of mega-infrastructures in underserved communities through the concept of rivers and intersections. By reinterpreting infrastructures of transportation, this project transforms the Cross Bronx Expressway (CBE) into a living river for people, cultures, and social vibrancy. It reconnects local communities as it courses through the urban fabric. The concept of rivers as a symbol of life and potential is expanded into the Bronx River, flows of ecologies, in its rejuvenation and reintegration with the redesigned pedestrian-oriented CBE. The rivers further permeate into the surrounding neighborhoods through the web of tributaries and re-imagination of various key blocks around the CBE’s point of interaction with the Bronx River which serves as a feature point, conflux of all different flows, the Bronx Eye. Robust and dynamic spatial, programmatic and ecological design narratives bring about social inclusion and equity but also build resiliency, and respond to climate change impacts and ideals of sustainability.
ID:032
Title :Miao Miao's Dream Worldā
ā
ā ćSiteļ¼ę¦åæµåŗå°
ā ćProgramļ¼Peace & Love are The Eternal Themes
āā ćSoftwareļ¼CADćRhino, Photoshop, Illustrator, Idesign, lumion
ā
ā ćLeagueļ¼ćTwoćŖć¼ć°
ā ćPresentation scoreļ¼ć993
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćBest Selection Award
ā
ā ćUniversityļ¼ćę¹åå·„ēØå¦é¢
ā ćSchool yearćļ¼ćMaster 1st year
ā ćArchitectļ¼ćęęå®
The story originated from MiaoMiao, a girl who was unable to properly handle her inner emotions and ended her life in an extreme way. I want to disassemble the elements according to the narrative structure of the story, and make a spatial mapping of the narrative structure, so as to use architecture to reconstruct the text and explore the dream world in MiaoMiao's heart. We are following the narrative clues ,walking though her mapping space about the four emotions to experience the whole story immersively. Using abstract spatial language to reproduce the storyline, let people in the real world notice the warmth around them. In this way, peace and love will surroundding the whole world.
ID:033
Title :Bringing “Wetness” Back into the Cityā
ā ćSiteļ¼Les Tres Xemeneies, 08930 Sant Adrià de Besòs, Barcelona, Spain
ā ćProgramļ¼Urban masterplan, river, coastal, and urban ecological restoration and enhancemnets, dunescape simulation, riverfront design, urban forestry, mixed use urban redevelopment, blue-green infrastructural systematic integraiton, park systems
āā ćSoftwareļ¼AutoCAD, Rhino, Lumion, Enscape, Photoshop, Illustrator, Indesign, ArcGIS
ā
ā ćLeagueļ¼ćTwoćŖć¼ć°
ā ćPresentation scoreļ¼ć990
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćBest Selection Award
ā
ā ćUniversityļ¼ćCornell University
ā ćSchool yearćļ¼ćMaster 2nd year
ā ćArchitectļ¼ćLok Tim Chan
ā ćCo-Architectļ¼ćCornell University, MLA 2022, Eric Zhenrui Mei,
ā ćCo-Architectļ¼ć Cornell University, MLA 2022, Echo Xingjian Wang
This project in its ambition to tackle complexities in the wicked problem of undesirable “dryness” that persists in Barcelona’s postindustrial waterfronts and urban fringes, aims to leverage the concept of “wetness” in its various interpretations and representations to reimagine a better future by building resiliency, vitality, and adaptability. Through rigorous cross-scale analytical processes to unfold the multidimensional existing qualities surrounding the site and its larger regional settings, a robust design inventory and strategy systems through typological investigation as well as articulated spatial manipulation, and orientation are distilled to address the issues at hand. In its essence, the design uses a diverse yet interconnected set of tools in an attempt to reach a level of comprehensivity that begins to resolve the different “dryness” in social, economic, ecological, geographical, and infrastructural terms under a dynamic urban scale inclusive of a waterfront, riverscape and urban center. It is a design by inquiry, through research, realized via investigation, and expanded from exploration and projection.
ID:034
Title :Industrial Training Centerā
ā
ā ćSiteļ¼The site is located near RTO office, Chandansar Road, Virar East, Palghar district, State Maharashtra, India
ā ćProgramļ¼Administrative Office, Industrial Center with studio classes and lecture halls, cafeteria, a dormitory, Staff Quarters, Conventional Center with Auditorium which are open to public, etc. constitutes the proposed design for industrial training center
āā ćSoftwareļ¼AutoCAD, SketchUp, Lumion, Vray, Photoshop
ā
ā ćLeagueļ¼ćTwoćŖć¼ć°
ā ćPresentation scoreļ¼ć988
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćBest Selection Award
ā
ā ćUniversityļ¼ćMumbai University
ā ćSchool yearćļ¼ć4th year undergraduate
ā ćArchitectļ¼ćEldhose Bince
My concept is built around experimenting with open end spaces and vernacular passive architecture. This strategy is primarily employed for the reason that an industrial campus is required for a brief time. Panorama vistas, extruded structural facades and more features will be seamlessly incorporated into the site's contours, on its execution. Thereby enabling people to relate, the architectural experience to the environmental envelope. In order to attain architectural completion, local materials will be employed in the construction of the school.
An enhanced interaction between the users and nature can be achieved if the building has life and emotion, which pushed me to incorporate open end recreational spaces rather than mere soulless facades of glass and concrete. A campus plays a critical factor in building futuristic minds and creating memories, and thus I have tried my best to make it lively by means of connecting spaces bringing the users closer to nature.
ID:035
Title :Time-Erosionā
ā
ā ćSiteļ¼Portland Bill, Isle of Portland, DT5 2JT
ā ćProgramļ¼Gallery
āā ćSoftwareļ¼Grasshopper, Rhino, Enscape
ā
ā ćLeagueļ¼ćTwoćŖć¼ć°
ā ćPresentation scoreļ¼ć983
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćBest Selection Award
ā
ā ćUniversityļ¼ćUniversity College London
ā ćSchool yearćļ¼ć2nd year undergraduate
ā ćArchitectļ¼ćNanhao Chen
The programme would be a series of leisure facilities along the coastal path in Portland for hikers and tourists. Each building occupies a great spot for observing various geological features, leading and attracting people to walk through the path to the lighthouse to enjoy the beautiful views of Portland. Doing so boosts the community to thrive and brings a new dynamism to the locals.
The design of the project is inspired by the two forces that erode the coast of Portland, the wave and quarrying. Reversing these two erosions through scripting forms various spaces and lighting for the users to experience and reacquaint Portland through the reading of the architecture.
Time is the key concept that drives the project. By extracting and encoding the wave data of Portland from different time periods into the building blocks, it informs how the geological features of Portland were shaped through time as the users walk through the spaces. With a combination of architectural elements generated by Grasshopper and the composition of spaces inspired by the quarries, it aims to take the users through a journey of exploring the story of the time in Portland.
ID:036
Title :As if listening to and comparing the tones of the spaceā
ā
ā ćSiteļ¼ę±äŗ¬é½čŖæåøåø ę±ć¤ć¤ćć±äø2äøē®1
ā ćProgramļ¼Complex public facilities (libraries/theater halls/commercial facilities/daycare centers)
āā ćSoftwareļ¼Procreate/Illustrator/Photoshop/Rhinoceros
ā
ā ćLeagueļ¼ćTwoćŖć¼ć°
ā ćPresentation scoreļ¼ć978
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćBest Selection Award
ā
ā ćUniversityļ¼ćäŗ¬é½å¤§å¦å¤§å¦é¢
ā ćSchool yearćļ¼ćMaster 1st year
ā ćArchitectļ¼ćå¹øå° čÆēƤ
We aimed to create a public facility where you can choose your own place according to your heart, “just like listening to and comparing the tones of the space”. In Japan, there is still a deep-rooted idea that healthy people are socialized and mentally disabled people are isolated in hospitals. Set in Tsutsujigaoka, Chofu City, we aim for a new coexistence between the mental hospital and the town, including multiple developments. We thought that the reason for the success of the mental hospital regionalization lies in the “geographical context of Tsutsujigaoka = two loosely connected layers”, and used these as hints when designing. The 1st floor is divided into 4 parts according to the topographical line, and the square in front of everyone's station, the theater hall, commercial facilities and consultation facilities, the terrace for hospital users, the blindfolded shopping street, the nursery school, and everyone's garden are laid out in short lengths. It was planned so that anyone can use it from end to end of the site. On the 2nd and 3rd floors, we relied on the gradation of atmosphere and functions of Tsutsujigaoka to design a gradational place to live, and a large and small library. A new public facility loosely connected to the whole town has the potential to solve difficult problems.
ID:037
Title :Gently Scooping Fragments of Memories ~A story of encounters and farewells over the history of the human torpedo "Kaiten"~
ā ćSiteļ¼å±±å£ēåØååøćå¤§ę“„å³¶/å¾³å±±é§ åØč¾ŗ
ā ćProgramļ¼Kaiten Memorial Museum/Ferry Terminal
āā ćSoftwareļ¼Adobe Illustrator,Adobe Photoshop,Auto CAD
ā
ā ćLeagueļ¼ćTwoćŖć¼ć°
ā ćPresentation scoreļ¼ć977
ā ćAward yearļ¼ć2022
āā ćAward nameļ¼ćBest Selection Award
ā
ā ćUniversityļ¼ćę±äŗ¬ēē§å¤§å¦å¤§å¦é¢
ā ćSchool yearćļ¼ćMaster 2nd year
ā ćArchitectļ¼ćē£Æę°ø ę¶¼é¦
"Otsushima, Shunan City, Yamaguchi Prefecture. At the end of the Pacific War, a training base for the human torpedo "Kaiten", one of the Japanese Navy's special attack weapons, was established here. Many young people around the age of 20 who sortied with this kamikaze weapon at that time lost their lives. However, with the 75th anniversary of the end of the war, memories of the war are fading.
There, I met the human torpedo "Kaiten", learned the feelings of the Kaiten crew, and built a story that inherited the memories. As a proposal, I designed a Kaiten Memorial Hall that encompasses 11 emotional spaces and a ferry terminal that leads to it. The ferry terminal is a complex facility with a roadside station and a public hall, and a human torpedo "Kaiten" that appears and disappears with the ebb and flow of the tide is installed on the premises. People meet Kaiten at this place where tourists and residents gather. The Kaiten Memorial Hall is a facility where you can simulate the feelings of the Kaiten crew as they travel through 11 emotional spaces. Features include a submerged memorial hall, 11 emotional spaces that extract the main emotions from the life of the crew, 106 stone pillars representing the crew who died in battle, and a tower of memory that connects the past to the future. In particular, the Tower of Memories is a space that represents the boundary between life and death for the crew members, from the time they sortie until the end of their lives. Through my work, I sincerely hope that people will face the horror of war and the preciousness of life, and that the same mistakes will never be repeated. "